“I don’t like people who have never fallen or stumbled. Their virtue is lifeless and it isn’t of much value. Life hasn’t revealed its beauty to them.”
I can’t pinpoint the reason, but there are some historical cultures I’ve just always been fascinated by, like Ancient Egypt or 20th century Germany. At any point in it’s timeline, I have a feeling surpassing curiosity about Russia. Though I’m no expert in Russian history, it’s difficult to ignore the impact of the country’s past on it’s artists. While I love the whimzy of The Nutcracker, I’m drawn to the dramatic minor chords of Tchaikovsky and Rachmaninoff. I read Atlas, Shrugged by the great Ayn Rand last year, and developed a major girl-crush on assertive Dagny Taggart. I’m recording the War and Peace TV miniseries adapted from Tolstoy’s popular novel, and I’m currently working on Crime and Punishment by Fyodor Dostoevsky, which I’m finding to be a pleasantly surprising page-turner even though I’m a slow reader.
With all of this Russian through my head (!), I thought a lame pun could be excused (?). Really, though, when I found out it was Boris Pasternak’s birthday today (1890-1960), it seemed fitting to pay it forward, and not in rubles.
Pasternak penned the novel that became one of my favorite films, Doctor Zhivago. In the story, Zhivago is both an upper crust doctor and love-torn poet at the mercy of the Russian Civil War. Wrongly labeling Pasternak a novelist, I learned that he only wrote the one, and is well-known in Russia for his poetry. I found the below poem at PoetryFoundation.org and thought first of a woman, then of the White army:
I should have seen the sign: “Fresh Paint,”
But useless to advise
The careless soul, and memory’s stained
With cheeks, calves, hands, lips, eyes.
More than all failure, all success,
I loved you, for your skill
In whitening the yellowed world
As white cosmetics will.
Listen, my dark, my friend: by God,
All will grow white somehow,
Whiter than madness or lamp shades
Or bandage on a brow.